The Diegetic Narrator in the Documentary-Portrait
Abstract
The paper derives from the feeling of unrest that the “narrative turn” in the study of the on-screen documentary has not happened yet, although the concept level (sociological, philosophical, cognitive, rhetorical, and so on) has obvious potential for research of the “filechecker” media text. For a mass audience, television was and still is one of the main “story-tellers”, and it is not just a metaphor. Comparison of individual documentary-portrait film monologues of the classical period of Soviet television and their analogues in modern Russian TV gives grounds to establish both the differences and similarities. The similar task is to create an autobiographical narrative, which defines the main thing: the hero of the story is approached as a diegetic narrator. The author, intentionally acting within the scope of this narrative strategy, also uses other ways of narration: intertext, collective narrative and the author’s text.
Downloads
References
Библиография:
Лехциер В. Л. Нарративный поворот и актуальность нарративного разума // Международный журнал исследований культуры. 2013. № 1(10). URL: http://www.culturalresearch.ru/archives/89-narrturne (дата обращения: 06.01.2015).
Борисенкова А. Нарративный поворот и его проблемы // Новое литературное обозрение. М., 2010. № 103. С. 327–332.
Chatman S. B. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca; London, 1986. 288 p.
Prince G. A Dictionary of Narratology. Lincoln, 1987. Р. 110–130.
Schmidt J. N. Narration in Film // Schmid ed. 2009. P. 212–227.
Ямпольский М. Дискурс и повествование // Язык — тело — случай: Кинематограф и поиски смысла. М., 2004. 376 с.
Аронсон О. Повествование общности // Коммуникативный образ (Кино. Литература. Философия). М., 2007. 384 с.
Добренко Е. Советское кино и сталинский исторический нарратив. М., 2008. 424 с.
Муратов С. А. Документальный телефильм: незаконченная биография. М., 2009. 362 с.
Шмид В. Нарратология. 2-е изд., испр. и доп. М., 2008. 312 с.
Шмид В. Отбор и конкретизация элементов в словесной и кинематографической наррациях // Narratorium. 2011. № 1–2. URL: www.http://narratorium.rggu.ru/article.html?id=2017636 (дата обращения: 06.01.2015).
Падучева Е. В. Семантические исследования (Семантика времени и вида в русском языке. Семантика нарратива). М., 1996. 464 с.
Пронин А. А. От хроноса к кайросу: смена временной парадигмы в портретной документалистике // Журналистика XXI века: к правде жизни. СПб., 2014. С. 226–232.
Беньямин В. Рассказчик // Беньямин В. Озарения. М., 2000. 376 с.
Bibliography:
Lekhtsier V. L. Narrativnyi povorot i aktual’nost’ narrativnogo razuma [Narrative turn and current problems of the narrative mind]. Mezhdunarodnyi zhurnal issledovanii kul’tury [International journal of cultural research]. no. 1(10). 2013. Available at: http://www.culturalresearch.ru/archives/89-narrturne (accessed: 06.01.2015). (In Russian)
Borisenkova A. [Narrative turn and its issues]. Novoe literaturnoe obozrenie [New literary review]. no. 103. Moscow, 2010, pp. 327–332. (In Russian)
Chatman S. B. Story and Discourse: Narrative Structure in Fiction and Film. Ithaca, London, 1986. 288 p.
Prince G. A Dictionary of Narratology. Lincoln, 1987, pp. 110–130.
Schmidt J. N. Narration in Film. Schmid ed. 2009, pp. 212–227.
Yampolskiy M. [Discourse and narration]. Iazyk — telo — sluchai: Kinematograf i poiski smysla [Language – body – event: Cinema and search for the meaning]. Moscow, 2004. 376 p. (In Russian)
Aronson O. [Narration of the community]. Kommunikativnyi obraz (Kino. Literatura. Filosofiia) [Communicative image (Cinema. Literature. Philosophy]. Moscow, 2007. 384 p. (In Russian)
Dobrenko E. Sovetskoe kino i stalinskii istoricheskii narrativ [Soviet film and Stalin historical narrative]. Moscow, 2008. 424 p. (In Russian)
Muratov S. A. Dokumental‘nyi telefil‘m: nezakonchennaia biografiia [Documentary: Unfinished biography]. Moscow, 2009. 362 p. (In Russian)
Shmid V. Narratologiia [Narratology]. 2 izd., ispr. i dop. Moscow, 2008. 312 p. (In Russian)
Shmid V. [Selection and concretization of the elements in the cerbal and cinema narratives]. Narratorium, 2011, no. 1-2. Available at: www.http://narratorium.rggu.ru/article.html?id=2017636 (accessed: 06.01.2015). (In Russian)
Paducheva E. V. Semanticheskie issledovaniia (Semantika vremeni i vida v russkom iazyke. Semantika narrativa) [Semantic research: Semantics of time and type in the Russian language. Semantics of narrative]. Moscow, 1996. 464 p. (In Russian)
Pronin A. A. [From Kronos to Kairos: A change of the time paradigm in the portrait documentary cinema]. Zhurnalistika XXIveka: k pravde zhizni [Journalism of XXI century: Towards the truth of life]. St. Petersburg, 2014, pp. 226–232. (In Russian)
Benjamin V. [Narrator]. Benjamin W. Ozareniia [Epiphany]. Moscow, 2000. 376 p. (In Russian)
Downloads
Published
How to Cite
Issue
Section
License
Articles of "Vestnik of Saint Petersburg University. Language and Literature" are open access distributed under the terms of the License Agreement with Saint Petersburg State University, which permits to the authors unrestricted distribution and self-archiving free of charge.
