"Расписная невеста" как эмблема идентичности: помаки Южной Болгарии

Лора Олсон

doi:10.21638/11701/spbu09.2017.303

Авторы

Лора Олсон Университет Колорадо в Боулдере

DOI:

https://doi.org/10.21638/11701/spbu09.2017.303

Аннотация

Ритуальные акты всегда дискурсивно обрамлены, но когда ритуал переносится на сцену, его рамка меняется: действие перестает быть перформативным и становится театральным. Представленное на сцене, оно берет ритуальный дискурс в кавычки. Это касается «возрождаемых» ритуалов в целом: они призваны актуализировать коллективную память, но в действительности делают иное: конструируют коллективную память аудитории. Возрождение традиций имеет одной из своих задач конструирование групповой идентичности. Но, часто подобные проекты «возрождения» создают противоположный эффект: имплицитно или эксплицитно они помещают сконструированную идентичность в положение противостояния иной, отвергнутой модели существования.

Ключевые слова:

фольклор, идентичность, конструирование памяти, помакский свадебный ритуал, проекты возрождения традиции

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