The “Painted Bride” as an emblem of identity: pomaks of Southern Bulgaria

Authors

  • Лора Олсон University of colorado, Boulder

DOI:

https://doi.org/10.21638/11701/spbu09.2017.303

Abstract

Ritual acts are framed discourse, but presenting ritual acts on stage changes the frame. The acts cease to be performative and become theatrical; there is an element of self-referentiality in them, as they point to pre-existing discourse like quotation marks. This is true of all revival, which points to an assumed collective memory, while in reality constructing that memory  as collective memory for an audience. The goals of revival are related to construction of group identity. Often the revivalist project is oppositional: it implicitly or explicitly situates the constructed identity against some rejected mode of being.

Keywords:

folklore, identity, construction of memory, Pomak wedding ritual, revival project

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References

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Benovska-Sabkova 2006 — Benovska-Sabkova, M. “In Search of One’s Own Self: Identity of the Bulgarian Muslims (Pomaks). A Case Study from the Western Rhodopes”. Interculturalism and Discrimination in Romania: Policies, Practicies, Identities and Representations. Ruegg, F., Poledna, R., Rus, C. (eds.). Berlin, Lit, 2006, pp. 187–202. (In English)

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Boiko 2001 — Boiko, M. The Latvian Folk Music Movement in the 1980s and 1990s: From “Authenticity” to “Postfolklore” and Onwards. The World of Music. Vol. 43 (no. 2/3), 2001, pp. 113–118. (In English)

Brunnbauer 1999 — Brunnbauer, U. Diverging (Hi-)Stories: The Contested Identity of the Bulgarian Pomaks. Ethnologia Balkanica. Vol. 3, 1999, pp. 35–51. (In English)

Campbell, Perraudin 2012 — Campbell, M., Perraudin, M. “The Persistence of Revival”. The Voice of the People: Writing the European Folk Revival, 1760–1914. Campbell, M., Perraudin, M. (eds.). London; New York, Anthem Press, 2012, pp. 201–206. (In English)

Ceribašić 2013 — Ceribašić, N. «Revivalist Articulations of Traditional Music in War and Postwar Croatia». The Oxford Handbook of Music Revival. Bithell, C., Hill, J. (eds.). 2013. Available at: http://www.oxfordhandbooks.com/view/10.1093/oxfordhb/9780199765034.001.0. (accessed: 09.10.2016). (In English)

Eminov 1997 — Eminov, A. Turkish and Other Muslim Minorities of Bulgaria. New York, Routledge, 1997.219 p. (In English)

Ghodsee 2009 — Ghodsee, K. Muslim Lives in Eastern Europe: Gender, Ethnicity, and the Transformation of Islam in Postsocialist Bulgaria. Princeton, Princeton Univ. Press, 2009. 280 p. (In English)

Groth 1999 — Groth, S. C. T. Challenging the Big Words: Folk Revival Meets Authenticity, Politics and Reflixivity. Folklore Historian. Vol. 16, 1999, pp. 20–42. (In English)

Guibernau 2013 — Guibernau, M. Belonging: Solidarity and Division in Modern Societies. Cambridge, Polity, 2013. 242 p. (In English)

Habeck 2011 — Habeck, J. O. «“Thank You for Being”: Neighborhood, Ethno-Culture, and Social Recognition in the House of Culture». Reconstructing the House of Culture: Community, Self, and the Makings of Culture in Russia and Beyond. Donahoe, B., Habeck, J. O. (eds.). New York; Oxford, Berghahn Books, 2011, pp. 55–74. (In English)

Livingston 1999 — Livingston, T. E. Music Revivals: Towards a General Theory. Ethnomusicology. Vol. 43 (no. 1), 1999, pp. 66–85. (In English)

Neuburger 2011 — Neuburger, M. C. The Orient Within: Muslim Minorities and the Negotiation of Nationhood in Modern Bulgaria. Ithaca, Cornell Univ. Press, 2011. 248 p. (In English)

Olson 2004 — Olson, L. Performing Russia: Folk Revival and Russian Identity. New York, Routledge, 2004. 304 p. (In English)

Osterman [Olson] 2014 — Osterman [Olson], L. “Movements for Islamic revival and ethnic consciousness among rural Bulgarian Muslims in the post-communist period”. National Council for Eurasian and East European Research (An NCEEER) (Washington DC). 2014. Available at: https://www.ucis.pitt.edu/nceeer/2014_828-10g_Osterman.pdf (accessed: 08.10.2016). (In English)

Seypel 1989 — Seypel, T. The Pomaks of northwestern Greece: an endangered Balkan population. Journal of the Institute of Muslim Minority Affairs. Vol. 10 (no. 1), 1989, pp. 41–49. (In English)

The Forgotten Minorities 2004 — The Forgotten Minorities of Eastern Europe: The History and Today of Selected Ethnic Groups in Five Countries. Tanner, A. (ed.). Helsinki, East-West Books, 2004. 256 p. (In English)

Todorova 1997 — Todorova, M. “Identity (Trans)Formation among Pomaks in Bulgaria”. Beyond Borders: Remaking Cultural Identities in the New East and Central Europe. Kurti, L., Langman, J. (eds.). Boulder, CO , Westview Press, 1997, pp. 63–82. (In English)

Published

2017-09-14

How to Cite

Олсон, Л. (2017). The “Painted Bride” as an emblem of identity: pomaks of Southern Bulgaria. Vestnik of Saint Petersburg University. Language and Literature, 14(3), 326–340. https://doi.org/10.21638/11701/spbu09.2017.303

Issue

Section

Literary Studies